Kelli O’Hara and Brian d’Arcy James star in a searing new musical about a couple falling in love in 1950s New York and struggling against themselves to build their family. The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic’s Pick) and The Washington Post raves, “Kelli O’Hara and Brian d’Arcy James soar! One of the best new musicals this year.”
Adapted from JP Miller’s 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. Directed by Michael Greif (Dear Evan Hansen).
There is also the strained union between this relatively mundane plot, not unlike a PSA about the dangers of alcoholism, and the poetic, dynamic songs by Adam Guettel, who also collaborated with O’Hara and book writer Craig Lucas on “The Light in the Piazza.” Fizzy and jazzy during the couple’s soused courtship, delicate and melancholy in the aftermath of their downfall, the score is a rich and undeniably gorgeous vehicle for the production’s stars, and especially O’Hara, for whom the adaptation has long been a passion project.
Craig Lucas and Adam Guettel, whose book and music for The Light in the Piazza lavishly replicated the dizziness of young love 20 years ago, turn their top-shelf craft toward bleaker outlooks in their adaptation of Days of Wine and Roses. Transferring to Broadway after a well-received premiere at the Atlantic last summer, Kelli O’Hara and Brian d’Arcy James give astonishing voice to two lovers drowning in alcoholism. The subject matter is almost corrosively downbeat but, with its two leads at the top of their game, the one-act musical becomes a cathartic, deeply felt tonic.
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