Review: A VERY DARREN CRISSMAS Tour Brings Music and Fun to Emerson Colonial Theatre

Holiday tour continues through December 20

By: Dec. 13, 2023
Review: A VERY DARREN CRISSMAS Tour Brings Music and Fun to Emerson Colonial Theatre

Making his way to the stage of the Emerson Colonial Theatre on the recent Boston stop on his “A Very Darren Crissmas!” tour – by going up, down, and around the sold-out venue – Darren Criss transported his eager audience from their seats to the palm of his hand.

And the popular performer, accompanied by a tight five-piece band, kept them there with a buoyant, tune-filled, nearly two-hour show, which featured everything from holiday favorites, from his 2021 debut CD that shares its name with the tour, to pop music covers and more.

The Emmy-winning actor and singer – famed for Fox-TV’s “Glee,” FX’s “The Assassination of Gianni Versace: American Crime Story” and “Hollywood,” and Broadway shows including  the 2011 revival of “How to Succeed in Business without Really Trying,” 2014’s “Hedwig and the Angry Inch,” and the 2022 revival of “American Buffalo” – opened with what he called “a winter love song,” John Mayer’s holiday-themed “St. Patrick’s Day.”

Criss’s voice was richly expressive on that and other songs, including jazz-infused renditions of “Winter Wonderland,” “(Everybody’s Waiting for) The Man with the Bag,” and a gorgeous “The Christmas Song (Chestnuts Roasting on an Open Fire),” the Mel Tormé classic Criss calls his “very favorite Christmas song.”

He also offered up wonderful covers of Regina Spektor’s contemplative ballad “New Year,” and, in one of the evening’s most impressive vocal moments, the 2004 Keane hit, “Somewhere Only We Know,” performed without mic to showcase the superb acoustics of the spectacular Colonial.

The legendary try-out house also provided the perfect setting for Criss to sing “Welcome Home,” first performed by opera singer Enzio Pinza in the 1954 Broadway musical “Fanny,” with music and lyrics by Harold Rome.

The San Francisco native’s good humor was sprinkled throughout the show. Apparently, whenever John Rox’s novelty song “I Want a Hippopotamus for Christmas,” a hit for 10-year-old Gayla Peevey in 1953, played on the radio in Criss’s childhood home, everything came to a halt so his mother could sing along. In Boston, her now-adult son’s version of the song had him, and his rapt audience, bopping along.

Weaving in plenty of colorful patter between the songs – which also included a light and lovely “When You Wish Upon a Star” – Criss shared freeform musings on the mood of the day, defined the musical term “imperfect rhyme,” and humorously lamented the takeover of the Billboard charts at this time of year by Burl Ives, with “Rudolph the Red-Nosed Reindeer,” and now Brenda Lee, with her current number one, “Rockin’ Around the Christmas Tree,” first recorded 62 years ago.

At the close, Criss strapped on a guitar for his hip-swiveling “Christmas Dance,” a rollicking tune he not only wrote but also customized with song requests shouted out by his swooning Boston audience. It was “A Very Darren Crissmas” indeed.

Photo: Darren Criss, now on tour with “A Very Darren Christmas!” Photo courtesy of Emerson Colonial Theatre.




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