Review Roundup: WHITE ROSE Opens Off-Broadway

White Rose: The Musical just celebrated opening night Off-Broadway, where it will run for a limited 12-week run at Theatre Row's Theatre Three (410 West 42nd Street). 

White Rose: The Musical is a powerful new musical that follows the inspiring story of a courageous group of university students who stood up to Hitler. Set against the backdrop of Nazi Germany, the musical follows Sophie and Hans Scholl and a group of young activists as they create and distribute leaflets challenging Hitler's propaganda. Through its dynamic and hopeful portrayal, the musical vividly captures the unwavering spirit of youthful resistance against oppression, making for a compelling and heartwarming theatrical experience.

Let's see what the critics had to say...

Caroline Cao, New York Theatre Guide: In its current incarnation, surface-level sentimentality prevents White Rose from plunging more deeply into the complexity of its story and characters. The sacred act of tossing leaflets to the audience should hit as a cathartic feat, yet it feels decorative. If you're a lucky audience member who catches a leaflet - inscribed with anti-war excerpts from the real White Rose - its call to action is urgent. These words are meant to be taken outside of the theatre, even after the action on the stage fades.

Deb Miller, DC Theater Arts: Without question, the story of White Rose is one worth telling and its courageous young martyrs should never be forgotten, but the light-hearted spirit of the current musical is a jarring contrast to its horrific outcome and events. For me, the production would be more effective if the characters were given more emotional depth and three-dimensionality, the Nazi atrocities against which they rebelled were more prominently featured in the staging, and the musical stylings were more in keeping with those of the era.

Brian Scott Lipton, Cititour: That the extremely earnest new tuner “White Rose: The Musical,” now at Theatre Row, works as well as it does is a testament to a very talented cast who handle their roles with sincerity and seriousness, as well as a pleasing-enough score by newcomers Brian Belding (who also wrote the book) and Natalie Brice, and the simple yet effective direction of Will Nunziata. And, at 95 minutes, this poignant yet slender tale doesn’t wear out its welcome.

Average Rating: 70.0%