Based on L. Frank Baum's children's book, "The Wonderful Wizard of Oz", The Wiz takes one of the world's most enduring (and enduringly white) American fantasies, and transforms it into an all-Black musical extravaganza for the ages. Featuring a book by William F. Brown and a Tony Award-winning score by Charlie Smalls (and others), this entirely reimagined revival is directed by Schele Williams, choreographed by Jaquel Knight, additional material by Amber Ruffin, and music supervision, orchestrations, and music arrangements by Joseph Joubert.
The Broadway-bound fiftieth-anniversary revival of “The Wiz” gets to the heart of what made “The Wiz” so special: song and dance. In this case, make sure that every member of the cast can sing like they are leading a revival meeting, as if their lives depended on it with maximum vocal virtuosity and intensity. Surround them with an onstage congregation of life-affirming dancers who can shake up—and literally dance up—a storm and can sing praiseworthy affirmative amens. Clothe everyone in dazzling otherworldly attire of bright bursts of color and textures that manage to look organic and stylish. Combine the best of imaginative physical sets with bright digital backgrounds and music arrangements that preserve elements of the seventies while always managing to feel contemporary. This is a dazzling production that is a feast for the eyes and ears.
As it is, the charm is fitful as the Emerald City dance party feels never-ending and the wonderfully funky diva poppies don’t live up to their promise. That’s a pity because JaQuel Knight’s choreography is mesmerizing and the dancers are uniformly impressive, flying from one lithe pose to the next, but the movement doesn’t feel connected to the momentum of the show.
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